Thursday, December 25, 2014

The 3 Movies You Must See in January (Trust Us)

Hitting theaters this month, stories of love and violence: Tim Burton resurrects 1960s Americana, an immigrant confronts the gangs of New York, and a masterful jailbreak features our favorite Australian heartthrob. Pause Netflix—you won't want to miss these blockbusters.
One-Woman Sweat Shop: Big Eyes
Photo: The Weinstein Company
In early-1960s America, cheesy renderings of sad waifs with huge black peepers were everywhere. In Big Eyes, Tim Burton restages the stranger-than-fiction saga of how a sociopath (Christoph Waltz) conned a naive divorcée (Amy Adams) into churning out these works under his signature. It’s a droll and gorgeous saga, even if it doesn’t end up going very deep.


If You Can Make It There: A Most Violent Year
Photo: Courtesy of the production company
In A Most Violent Year, J. C. Chandor (Margin Call, All Is Lost) once again vividly pits man against chaos. Oscar Isaac plays a Latin American immigrant in 1981 New York City who’s trying to parlay his gangster father-in-law’s heating-oil company into a legitimate business—but he may not have a firm bead on the real agenda of his complicated American wife (Jessica Chastain).


A Perilous Match: Son of a Gun
Photo: Courtesy of the production company
Yet another dark Aussie delight set in a criminal demimonde, Julius Avery’s noir debut, Son of a Gun, is a grabber. Violence abounds, especially in prison, where a mastermind (Ewan McGregor) persuades a smart 19-year-old newbie to launch a jailbreak. Once the pair is out, a mega-heist is in the offing—but so is a complicating romance, courtesy of rising star Brenton Thwaites and a terrific Alicia Vikander.

Wednesday, December 17, 2014

5 Trends That Need to Die in 2015


First, the disclaimer: Not every trend on this list is inherently "bad." Some of them I actually really like, it's just that in the past year, everyone—from celebs to street style stars to the chick ahead of me in the juice bar line—has been wearing them. I'd like to see people wear something else for a change, but for that to happen, we're gonna need to put a moratorium on these things for a little while. (Just a little while. Like a year?)
1. AGGRESSIVE EAR JEWELRY.
Statement necklaces were the Cool Accessory Look five years ago, then it was arm parties, followed by fistfuls of dainty rings that girls slipped on faster than they could say “Catbird."This year, the most popular accessory was the ear cuff, something that felt very subversive when girls first started sliding them over their lobes, like a hybrid earring/jail cell when they were metal or an explosion of sparklyness when they were the jeweled kind. But then they started showing up everywhere, and now they feel about as rebellious as a second hole in your earlobe.
2. VERY BASIC, VERY EXPENSIVE SNEAKERS.
I'm not saying sneakers shouldn't cost money. I get why people shell out for gold hardware-decked Buscemis or python CĂ©line slip-ons. The breed of sneaker I'm talking about is different. They're the sneakers that are just simple white leather lace-ups or black leather slides with a rubber sole, which seemed to be everywhhhereee in 2014. So many of these shoes are essentially Adidas' Stan Smiths or Vans' slip-ons but with marginally better materials, and an astronomically more expensive price tag. Why?
3. HEAD-TO-TOE NORMCORE.
I can understand the appeal of a Birkenstock or a pair of Levi's 501s, but when you wear all the normcore staples together—carbon-copying Jerry Seinfeld's look—it isn't inspired, it's lazy. Why not break up your white T-shirt, mini backpack, and acid wash denim with some stuff that shows you're part of the iPhone generation, not the flip phone one?
4. CULOTTES.
I embraced them, really. Truly. I got past the whole "These are basically high fashion gaucho pants" confusion. My problem with culottes is more that they're like, really, really popular. They're such a striking, recognizable silhouette, and they're everywhere. I legitimately just found FOURTY-FOUR pairs of culottes on Net-a-porter.com when I searched, which is crazy when you consider there were probably only four pairs on sale there last year.
5. THE (NEW) KARDASHIAN SIGNATURE LOOK.
It's the same almost every time: a crop top & pencil skirt combo or a skin-tight midi dress, a strappy stiletto or pointy toe pump, topped by a calf-grazing coat if it's cold—but always, always, everything in the same color, which is firmly planted in the "putty" family. (Though, to be fair, it may stray as far as "clay" or "camel.") Yep, it's a polished look and it photographs well! But at this point, it kind of feels like watching the same episode of KUWTK every.single.day.

Thursday, December 4, 2014

Cara Delevingne to Star in a Film With Jared Leto and Will Smith


Photo: Getty Images
Cara Delevingne is officially an actrice. From fairy tale Chanel films with Pharrell to snagging lead roles in Paper Towns and Pan, Cara's already added some plum theatrical gigs to her resume. Now, she’s breaking into action, starring in a big-time movie alongside Jared Leto and Will Smith.
Delevingne has been cast in The Suicide Squad, a Warner Brothers adaptation of the DC supervillains-turned-government-agents comic book, according to E! Online. Delevingne will play the Enchantress, whose alter ego, June Moone, is a freelance artist.
Leto will play the Joker while Smith has been cast as Deadshot. Also in the film is Tom Hardy (swoon who will play Rick Flagg), Jai Courtney (Boomerang), and Margot Robbie (Harley Quinn, the Joker’s girlfriend).
Executives are reportedly still looking to cast Amanda Waller, who oversees the Suicide Squad, and have their eyes on Viola Davis, Octavia Spencer, or Oprah. Any of these actresses would certainly be incredible in the role, but the possibility of Cara Delevingne Instagrams with OPRAH? Mind-blowing.
Production for the film starts in April, with the film slated to come out August 5, 2016.