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Tuesday, November 14, 2017
Why Gigi Hadid Is Swapping Party Heels for Fancy Flats This Holiday Season
For fashion girls, the most wonderful time of year is party season. But there’s nothing like a spiked stiletto heel to take all the fun out of festivewear. Fortunately, Gigi Hadid is here to offer a comfy-chic solution to carry you through this season with style: The model has teamed up with Stuart Weitzman once again, this time to create a collection of ultra fancy mule flats that can go from morning to night, cocktails to dinner—and just in time for the holidays. “Anyone can pick the most sparkly, random, amazing shoe they can find,” Hadid tells Vogue. “But I wanted something that spoke to me and that I could wear every day.” That meant two unique styles done in a range of goes-with-everything neutrals, like slate gray, rust brown, and a deep indigo blue (a portion of proceeds will go toward Pencils of Promise).
While Hadid has worn her fair share of over-the-knee stacked heel boots and strappy sandals, lately, she’s more about footwear that’s low on height and high on function. “I’ve gotten more into my comfort zone in terms of clothes in the sense that I’m just super down to be comfortable all the time—even when I need to get dressed up,” she says. “I feel a lot more confident in something that’s comfortable. The flat is sleek and chic but you don’t feel like you’re thinking of your feet all day because they’re taken care of.”
Those who keep a close watch on her street style will recognize the silhouette—she’s been wearing it for months. “If someone is looking for something that they know came from my hands, it should be something they can see me wearing a lot.” The shoes are modified with unexpected trim, artful stitching, and a toe box lined with shearling. “My toes are always cold!” says Hadid. “I love flats and I wear them all the time, but they could give your toes a little more love.” She also offered another clever layering strategy for the chillier months ahead. “A really simple but feminine sock could be cool,” says Hadid. “You could do it with cropped jeans, a long sweaterdress—really anything.”
Sunday, October 15, 2017
Kaia Gerber's Rebellious Style Proves That Sweet Sixteen Has Never Looked Better
Besides her stellar appearances at Spring 2018's runways and her Marc Jacobs campaign, Kaia Gerber is starting to become known for her signature style too. The teenage model has stepped out in a range of playfully rebellious looks, letting us know that sweet sixteen has never looked as good as now. Last night, Cindy Crawford's supermodel heir donned matching cargo pants and combat boots with a friend on a dinner date--an ensemble that smelled like teen spirit.
Since it is 2017, Gerber gave her look a contemporary twist by opting for a black-and-green pair of cargo pants in luxurious silk, making the outfit a winning choice for day and night. A black safety buckle belt tied the trousers together, and its utilitarian nature hinted at Christopher Kane's signature touch, though it looked like it might just as well have been purchased at an army surplus store too. She paired the bottoms with a stretchy, '90s throwback top that revealed most of her mid-riff, since any seasoned runway star knows that rock-solid abs are the best accessory to any outfit. She finished off the outfit with her signature R13 combat boots, proving once again that she is ready to take on the world.
Since it is 2017, Gerber gave her look a contemporary twist by opting for a black-and-green pair of cargo pants in luxurious silk, making the outfit a winning choice for day and night. A black safety buckle belt tied the trousers together, and its utilitarian nature hinted at Christopher Kane's signature touch, though it looked like it might just as well have been purchased at an army surplus store too. She paired the bottoms with a stretchy, '90s throwback top that revealed most of her mid-riff, since any seasoned runway star knows that rock-solid abs are the best accessory to any outfit. She finished off the outfit with her signature R13 combat boots, proving once again that she is ready to take on the world.
Monday, September 18, 2017
Erdem Moralioglu Talks Influences, From Wolfgang Tillmans to Twin Peaks
On the one hand, Erdem Moralioglu makes some of the most exquisitely refined and plainly (and often not so plainly) gorgeous clothes coming out of London—or anywhere else, for that matter. And on the other, he resides in gritty-cool East London, epicenter of all that’s hip and happening in the British capital, is well-versed in contemporary art and culture, and has the kind of address book—from Beth Ditto to Keira Knightley—that shows he’s as plugged in as the place he lives.
The charming Moralioglu is a study in contrasts. He’s someone who knows his way around fil coupe and guipure lace, conjuring them up into dramatically proportioned, romantically inclined looks, but also able to ground them in a way that feels effortless and real; his shows also involve checking out the shoes the models are wearing, whether it’s lug-soled boots or substantial oxfords. (Perhaps it was always thus: Back in 2007, he told Sarah Mower, “I rebel with lace and tulle” and things haven’t changed much since.)
The imaginative, sly storytelling inherent in his clothes has also started to flower in his shows; a charmingly dilapidated space tucked behind the Selfridges department store being dressed to resemble after-hours film sets, whether it’s a fin de siècle drawing room or a mid-century Danish fantasia. Yet the biggest twist in the tale is that Moralioglu has flourished, despite being entirely independent, while facing the likes of a global economic downturn and the vacillating uncertainty engineered by a U.K. contemplating Brexit.
All of this will no doubt come up when he meets Joseph Altuzarra and Simon Porte Jacquemus in conversation at Vogue’s Forces of Fashion conference on October 12 in New York. They will be joining plenty of other mega-talents—the “forces”—that day, but we thought it would be fun to ask him (and his fellow speakers) about the people, places, and pop culture moments that have helped shape his outlook on fashion. Watch this space for more, and visit www.vogueforcesoffashion.com to purchase tickets.
The charming Moralioglu is a study in contrasts. He’s someone who knows his way around fil coupe and guipure lace, conjuring them up into dramatically proportioned, romantically inclined looks, but also able to ground them in a way that feels effortless and real; his shows also involve checking out the shoes the models are wearing, whether it’s lug-soled boots or substantial oxfords. (Perhaps it was always thus: Back in 2007, he told Sarah Mower, “I rebel with lace and tulle” and things haven’t changed much since.)
The imaginative, sly storytelling inherent in his clothes has also started to flower in his shows; a charmingly dilapidated space tucked behind the Selfridges department store being dressed to resemble after-hours film sets, whether it’s a fin de siècle drawing room or a mid-century Danish fantasia. Yet the biggest twist in the tale is that Moralioglu has flourished, despite being entirely independent, while facing the likes of a global economic downturn and the vacillating uncertainty engineered by a U.K. contemplating Brexit.
All of this will no doubt come up when he meets Joseph Altuzarra and Simon Porte Jacquemus in conversation at Vogue’s Forces of Fashion conference on October 12 in New York. They will be joining plenty of other mega-talents—the “forces”—that day, but we thought it would be fun to ask him (and his fellow speakers) about the people, places, and pop culture moments that have helped shape his outlook on fashion. Watch this space for more, and visit www.vogueforcesoffashion.com to purchase tickets.
Saturday, August 26, 2017
Melania Trump Heads to Camp David in Missoni
Melania Trump is currently en route to Camp David with her husband, son, and extended family. Departing from the South Lawn earlier today, Trump sported a Missoni knit dress with a contrasting, lattice-like trim in aubergine, blush pink, and blue.
The choice of fabric and color were new for Trump who has relied upon traditional fit-and-flare dresses in simple, solid shades. Indeed in the last week, she has stepped outside of her fashion comfort zone not once but twice, and was seen departing from Morristown Municipal Airport in New Jersey wearing a striking midi-length Delpozo dress with a petal-like hem. With this latest look, she is clearly continuing to explore new territory. That said, her choice of shoes—sky-high stilettos by Manolo Blahnik in orange lizard—were a familiar choice.
The choice of fabric and color were new for Trump who has relied upon traditional fit-and-flare dresses in simple, solid shades. Indeed in the last week, she has stepped outside of her fashion comfort zone not once but twice, and was seen departing from Morristown Municipal Airport in New Jersey wearing a striking midi-length Delpozo dress with a petal-like hem. With this latest look, she is clearly continuing to explore new territory. That said, her choice of shoes—sky-high stilettos by Manolo Blahnik in orange lizard—were a familiar choice.
Tuesday, August 1, 2017
Krysten Ritter Does a Quick Change Worthy of a Superhero at Marvel’s Defenders Premiere
Just because you’re busy saving the world doesn’t mean you can’t find time to look great. Just ask Krysten Ritter, titular superhero of the Netflix hit Jessica Jones. At last night’s premiere of the related series The Defenders, Ritter caused a stir in a crimson sequined cut-out Julien MacDonald dress that only a daring few could pull off.
Taking to Instagram post-event, Ritter revealed that she and stylist Ilaria Urbinati had spotted the piece several months earlier on MacDonald’s runway and asked him to hold it for them. She then thanked MacDonald for creating a piece of wearable art and allowing her to be the first to wear it.
Clearly attuned to her power color, Ritter switched into a second red dress for the show’s after-party, a silk Cushnie et Ochs number. With its ruffled neckline and floor-skimming length, it was subtler, yet every bit as sultry—a quick change worthy of a superhero.
Taking to Instagram post-event, Ritter revealed that she and stylist Ilaria Urbinati had spotted the piece several months earlier on MacDonald’s runway and asked him to hold it for them. She then thanked MacDonald for creating a piece of wearable art and allowing her to be the first to wear it.
Clearly attuned to her power color, Ritter switched into a second red dress for the show’s after-party, a silk Cushnie et Ochs number. With its ruffled neckline and floor-skimming length, it was subtler, yet every bit as sultry—a quick change worthy of a superhero.
Friday, March 10, 2017
Decoding the Ageless Style of Copenhagen’s Coolest Boutique Owner
The talent pool of Danish fashion runs deeper than what can be seen on the runways. And if a directional designer isn’t showing at Copenhagen Fashion Week, there’s a good chance his or her work is hanging on the racks at Sabine Poupinel. The French-Danish 60-something has served as a linchpin of the local avant-garde movement since 1973—the year she founded her self-named boutique in the country’s capital. After studying photography in art school, Poupinel decided she “didn’t want to work in advertising,” and instead began making and selling clothes in a storefront space. 44 years later, that independent spirit remains—nowhere more so than in Poupinel herself, who embodies both her culture’s penchant for wardrobe experimentation and its embrace of aging without artifice.
Though her fuschia-floored corner space is situated just a couple of blocks off of what has become a strip of international fast fashion chains, its purpose couldn’t be more different. Poupinel seeks out idiosyncratic pieces, many of them one-of-a-kind items made by graduates of the Royal Danish Academy of Fine Arts. They embody what she calls “art and craftsmanship—you have to have both.” Her designer discoveries (which populate her colorful Instagram) include Guðrun & Guðrun, whose Sid Vicious–esque sweaters are hand-knit on the Faroe Islands from locally shorn wool, and Bettina Bakdal, a professor at KADK who reconstructs elaborate ruffle-trimmed shirtdresses and blouses from found garments. The store is a destination for clued-in creative types, and has been, apparently, for decades: A young Helena Christensen would swing by with her supermodel posse, and Lenny Kravitz once stopped in during his heyday and bought a pair of snakeskin pants. (Poupinel had no idea who he was at the time, but her shop assistant did—and the star promptly asked her out on a date.)
Poupinel is also a fixture among the Copenhagen intelligentsia, known for hosting political salons and curating Fan Out, a biannual exhibition that spotlights emerging and established Danish designers and features art installations, music performances, and interdisciplinary panel discussions (she’s hoping to also take it to Paris next year). Yet despite her role as an industry connector, “I’m not friends in my private life with fashion people,” she says. “I don’t like small talk.”
That came across—in a good way—during a recent visit. Laconic yet warm, with an air of androgynous chic, Poupinel is the ideal ambassador for her design aesthetic, which she describes as “right now, loose, street, big pants.” Her short, rumpled hair is undyed, her face free of makeup or other interventions; she was holding court that day alongside her Shiba Inu, Loca, in a tie-front wide-leg jumpsuit by local designer Trine Wackerhausen and stiletto sandals with puffy twisted straps by London-based expat Elise Born. It’s not the sort of look commonly found on women of a certain age, which is just how Poupinel likes it. “Yeah, yeah, yeah! You are quite right,” she says with a laugh. “But I think it’s cool because I’m old. That’s the whole point.”
Though her fuschia-floored corner space is situated just a couple of blocks off of what has become a strip of international fast fashion chains, its purpose couldn’t be more different. Poupinel seeks out idiosyncratic pieces, many of them one-of-a-kind items made by graduates of the Royal Danish Academy of Fine Arts. They embody what she calls “art and craftsmanship—you have to have both.” Her designer discoveries (which populate her colorful Instagram) include Guðrun & Guðrun, whose Sid Vicious–esque sweaters are hand-knit on the Faroe Islands from locally shorn wool, and Bettina Bakdal, a professor at KADK who reconstructs elaborate ruffle-trimmed shirtdresses and blouses from found garments. The store is a destination for clued-in creative types, and has been, apparently, for decades: A young Helena Christensen would swing by with her supermodel posse, and Lenny Kravitz once stopped in during his heyday and bought a pair of snakeskin pants. (Poupinel had no idea who he was at the time, but her shop assistant did—and the star promptly asked her out on a date.)
Poupinel is also a fixture among the Copenhagen intelligentsia, known for hosting political salons and curating Fan Out, a biannual exhibition that spotlights emerging and established Danish designers and features art installations, music performances, and interdisciplinary panel discussions (she’s hoping to also take it to Paris next year). Yet despite her role as an industry connector, “I’m not friends in my private life with fashion people,” she says. “I don’t like small talk.”
That came across—in a good way—during a recent visit. Laconic yet warm, with an air of androgynous chic, Poupinel is the ideal ambassador for her design aesthetic, which she describes as “right now, loose, street, big pants.” Her short, rumpled hair is undyed, her face free of makeup or other interventions; she was holding court that day alongside her Shiba Inu, Loca, in a tie-front wide-leg jumpsuit by local designer Trine Wackerhausen and stiletto sandals with puffy twisted straps by London-based expat Elise Born. It’s not the sort of look commonly found on women of a certain age, which is just how Poupinel likes it. “Yeah, yeah, yeah! You are quite right,” she says with a laugh. “But I think it’s cool because I’m old. That’s the whole point.”
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